Friday 6 December 2013

Green Office: Collaborative Design Studio for Green Curry Design, 4 Cities Collaborative and 42mm Architecture

Architects: 42mm Architecture
Design Team: Adreesh Chakraborty, Aditi Dhingra - 42mm, Anuj Bhandari – 4 Cities, Eena Basur – Green Curry Design.
Location: South Delhi
Plot Area: 4500sqft, Built Area: 3000sqft
Year: 2013
Photographs: Anuj Bhandari, Adreesh Chakraborty, Arshia Chaudhury

Site Selection

The site is located at the edge of Delhi within the vicinity of Qutab Minar, Mehrauli and Lado Sarai, making it an integral part of Historical Delhi. New city level interventions, like the elevated, metro corridor runs just a hundred metres away along the Gurgaon Mehrauli road. An existing single storey building within an organic fabric, a large front yard and a large floor plate, ample parking and located strategically from all possible public transit nodes, it made for an appropriate site for a design studio.

Sustainable Office Design

Meeting Room

Sustainability and Fun

Since it was to be a collaborative space for a communication design firm, a master planning firm and an architecture studio, the intent was to maximize cross disciplinary interaction. The studio, meeting rooms and amenities are shared which also opens up the space for possibilities. It was a mandate to construct and run the office with the least minimum use of energy, in a fun, innovative mix of design application and material selection which would characterize the office.

Natural Light 

To incorporate an estimated 50 people office within an existing residential building, the internal layout was completely remodeled apart from an existing arch which now forms part of the reception area. The external lines of the boundary were kept untouched so as not to disturb the surrounding fabric. Ample openings were made on the North and the Eastern edges to get in as much natural light as possible into each interior space. The openings in the south were protected from the sun by the existing boundary wall and a metal trellis that acts as a shading device. Bamboo and wooden venetian blinds were used to control internal lighting levels.

Natural Day-Lighting

Partitions  

All the internal partitioning was done in exposed 3”x 3”x 8” Fly ash Brick masonry which has a very low embodied energy. The module was chosen to restrict the partition width to 3” to maximize on internal spaces. A bright yellow continuous mild steel section runs at the lintel height to tie up the structure and form the lintel band for all the internal openings.

Fly Ash Exposed Brick Partitions with exposed Conduits for Electrical Works

Sevices

Instead of using a complete false ceiling, the services were designed to be exposed. All the electrical conduits and raceways and ducting for air-conditioning with surface mounted wall fittings are an integral part of the design aesthetic. All the zones are divided with their own individual master switches for air-conditioning and electrical outlets which lets zones get shut off when not in use. Apart from air-conditioning the entire office has fans which circulate the air and provides comfort for Delhi weather conditions for a considerable period of time in the year. Since power back-up is mandatory in Delhi an UPS forms the backbone of the backup system. A small diesel generator set is rented only for the 3 peak months of the summer when outside temperatures touch around 47 Degrees Celsius, to only run the airconditioning. All lighting fixtures are LED and have a very low combined electrical load. Lighting in the toilets is controlled by motion sensors which optimizes the electrical consumption. The entire rainwater and air-conditioning drainage is fed to a harvesting tank which stores water for cleaning and landscaping. All toilet fixtures are rated and consume only a fraction of the water than that of the other systems.

Exposed Services

Finishes

The majority of the flooring and wall paneling is made from reclaimed wooden packaging material put together in an intricate pattern which forms the character of the internal space. Most of this wood was packing material picked up from stone importers. Other materials used are Jaisalmer stone – a local stone from Rajasthan, used for flooring and jambs and marble chips for outdoor areas. Reclaimed tiles from major manufacturers and traders have been used for broken tile mosaic finishes, and cut tile patterns in toilets and pantry areas. The office is painted white with water based paints with bright coloured highlights which make the spaces playful and fun. Some of the furniture was reclaimed and remodeled from the previous premises.

Reclaimed Wooden Flooring made on site
Insulation


The roof has been covered with two layers of 50 mm thick over deck insulation, protected by a reclaimed tile-mosaic floor which in itself reflects a considerable amount of heat. All the openings in the building are fitted with airtight UPVC windows and doors which restrict losses during the summer and winter months and are operable for the humid months when cross ventilation is a must to achieve comfort.


The Studio with both Fans and Air-Conditioning for the diverse weather conditions of Delhi.


Consultants

Lighting :- Lucent Consultants
Plumbing: - Tech Consultancy Services Pvt Ltd.

Contractors

Civil: - K. P. Contractor & Co.
Windows: - Ewin
Electrical: - North Select Engineers Pvt. Ltd.
Automation & Security:-Vision n Solution.
Lighting:-Oscar Lucea
Plumbing: - Deepak Kumar Sahoo
AC: - Sankhya Consultants Pvt. Ltd.
Heated Floor – Tefkot Cable Company
Water Proofing: - Roofers Combine
Stone: - H S Builders.
Finishing: - Raju Contractors
Blinds: - Floor – n – Walls
Furniture – Hazara Furniture House

Sunday 25 September 2011

Proposal : The India International Centre Annexe


IIC Existing Building




Source: http://newdelhihotels56.wordpress.com/


The India International Centre is a centre for promotion of cultural activity. It has been designed to provide an ideal environment for academic, cultural and intellectual pursuits. It is non-aligned in its motivation and approach and uncommitted to any particular form of governmental, political, economic or religious affiliation. The Centre is of great Historical Significance since it was built in the spirit of building the Great Institutions of a New India fresh after Independence. Since then great thinkers have presented and exchanged ideas at this Centre.  Following its charter, international and national conferences are initiated, as well as programs in music, film, folk and classical cultures, the performing and visual arts and exhibitions.




THE PROGRAM
An Interior Design proposal was to be given for a new block being built adjacent to the main building having four multipurpose halls, an art gallery, a cafĂ©, a restaurant and spaces for administration.  The architectural design of the new block was an amalgamation of Stein’s elements of the main building.


THE CONTEXT OF JOSEPH ALLEN STEIN
Designed by Joseph Allen Stein it is of great historical significance to India.  It was important to decode the design methodology of IIC to be able to propose an integrated solution that would be contextual and contemporary.

  • Purely Rational – Modern design resolution, incorporating structural engineering, architectural understanding & technologically driven detailing.
  • Use of vernacular materials and architectural elements in Modern structural vocabulary.
  • Material Usage is Pure – there is no surface treatment on already used materials, thus life cycle is very high.
  • Material Systems used for Form Definition.

DESIGN METHODOLOGY
Rather than merely replicating Stein’s architectural details used all over the main building, it was debated how he would have designed with the technology and array of materials available today. The Interior design was conceptualized in the spirit of Stein’s architecture, a rational contextual Modernism.

  • Understanding and Analysis of the Function, the Program, the Context and time.
  • Rationally Deriving Solutions at the Macro and the Micro tied in a Lateral Thought Process.
  • Technologically driven detailing for intelligent multivalent solutions.
  • Pure Material System Selection, complete and mutually independent – for long life cycle and easy serviceability.

THE MULTIPURPOSE HALLS
The Multipurpose Halls required multiple lighting ambiences. With a coffer slab as the ceiling, an over-layered metal grid was designed in the geometry of the coffer. The grid hanging below the coffer would cater to the various lighting requirements ambient, direct, reflected integrated with a master automation control for various degrees of dimming and would keep the context of the coffer intact.

Ceiling Grid for Multipurpose Halls









View: Multipurpose Hall




















Customized wall panels were designed to meet the acoustic requirements of the spaces.

Customised Acoustic Wall Panelling














Acoustic Movable Walls were proposed for separating spaces within the halls for separate functions.

Acoustic Movable Walls



THE ART GALLERY
It was debated that the art gallery should house touch screens, projectors, cameras to propagate all the new art that technology has helped bring about. It should not only be able to house canvas, but many other forms of installations as well, like video and interactive arts.

Interactive Touch Screens





Promo video for a large, interactive installation that gives the user a chance to play with flowing water without getting wet. The concept, which won an RSA Design directions award, is by Mark Burton. Copyright 2007 Mark Burton

The Art Gallery had a large dome at its centre, which restricted the arrangements for exhibitions to a limited number of possibilities. To make the space more flexible a hexagonal space grid was developed which would display artwork and its respective lighting in any desired arrangement.

Art Gallery Hexagonal Space Grid
 

Flexible Gallery Space



















OTHER AREAS
A series of finishes from Stein’s original building were proposed to be projected at selected wall spaces in common areas as part of the interior finishing, making the surfaces multi-valent and starting a historical record of the building on itself.






Other material systems included various kinds of ready to install open and closed metal grid ceilings, foldable acoustic partitions, acoustic fire retardant carpets, epoxy floors, ready to install wooden floors, kota stone flooring, terrazzo flooring, acoustic wall claddings and black out blinds. 


Sunday 11 September 2011

Competition : School of Planning & Architecture Campus Design 2009

Aerial View

















ENVIRONMENT FOR ARCHITECTURAL EDUCATION

Designing an environment for architectural education, leads to questioning the linear understanding of mono-valent space. Mono-valent architectural spaces create rigid environments, built block vis-a-vis open space.


A campus for architecture requires spaces that can stimulate the mind, places that rather than evoking an end, become part of a process making them multi-valent. A subtle diffused sequence of open and built spaces formed out of an operation of skewing and expanding is used to attain non-linear spaces.

Spaces by virtue of their use and movement patterns can overlap increasing overlaps of users, facilitating the chance meetings of the different specialized disciplines – on a whole becoming a platform of synthesis towards a greater generalized understanding of the entire paradigm of design.






























A departure from historicity frees the mind of memory. Architectural language superimposes on the mind-memory (ironically at times learned-memory rather than acquired-memory). A design environment should free itself of styles, languages; a spirit of freedom should prevail. A return to nature inspired from the lines of the site give rise to a morphological operation that tends towards being geologican environmental expression and outcome in qualitative and quantitative parameters respectively.

The quest for development has brought human kind to the brink of disturbing the balance of nature. The entire planet is at risk today from just a single century of human development. With almost half the entire energy resources being used for and by buildings it is of utmost importance that a design institute not only thrive to be self sustained in its energy needs throughout its entire life cycle but propagate and be didactic in its design expression as well.     
Environment: Systems & Considerations





































URBAN & TOPOGRAPHICAL RESPONSE 

The need for a physical boundary all along the site perimeter to attain a full degree of closure (security being a major concern), hinders the stimuli – response relationship of a design institute with the city. The edge at the point of entrance has thus been expanded into a public place, which acts as the desired platform. Major public functions which can involve interaction with the city - the auditorium, cafes, galleries, open air exhibition spaces; display screens have been placed there. Students can display their works, expressions, stage plays and appropriate the space in other ways. This place can act as a centre for social awareness for the civil society.

The Urban Interface: City Edge

















The canyon is an extremely strong topographical land form in the site. In the program the canyon has been considered as a environmental zone pulling the context of the biodiversity park from across the site. It is being recharged with plantation, the seasonal water body being transformed into a permanent water body by harvesting means. Informal movement from all across the surrounding areas, slope down into the canyon. A peripheral pedestrian edge deliberately lowered to make the experience more intimate acts as a students’ informal place which also connects up to the open spaces of the surrounding academic blocks and the students’ centre.


The Canyon














The pedestrian connection between the urban interface and the seat of the canyon becomes a raised formal promenade. The edges of the promenade formed by the academic blocks on one side and the Cultural hub on the other dictate the urban architectural vocabulary within the campus. The cultural edge is interspersed with a continuous water feature which acts as natural cooling system during the summer months. Open spaces on the side of the academic block flow down as a series of landscaped terraces into the canyon. The open spaces on the cultural side flows down into the activity areas of the residential blocks. The promenade is a place and not a connection, acting as a spillover of the cultural hub with functions like architectural museum, exhibition spaces, galleries, alumni centre, cafe and the spillover from the academic blocks as well as the students’ centre. This is a place of interaction between alumni, students, faculty, exchange students, researchers and international guests.

The Promenade
















The edge of the site which traces the road has been developed to form a stark urban response at the city level. With the urban interface punctuating this line we see a series of blocks rising and falling in an overall binding geometry. The residential blocks placed at the closest edge to the residential fabric of the city forms a clear desired disjunction in the language. Pauses of dense greenery in-between the blocks connect the Biodiversity Park from across the road to the site.

Saturday 6 August 2011

42mm Architects ExPRESS

42mm Architecture was formed as a platform for ideation, exchange and translation; understanding architecture and design as a non-linear, continually transforming process between need, desire, functionality and responsibility in a dynamic social and economic background. Sensitive to issues regarding contextualization - globalization and environment, the intervention lies in creating meaningful, useful environments which enhance the feeling of well being.

ExPRESS at 42 is an extension of the same platform to a wider participatory audience.


Conceptualisation for SPA, Vasant Kunj, 2009




















Translation of concept in 3D by 42mm Architecture